#okinawa

August 19th, 2018
Murp 1:23am
*A mad feast can be heard behind Beth as she goes down the hole. This one is more confined and snakey, almost like a laundry shoot. There's a light at the other end though, and as Beth pops out she can actually stand and take in her surroundings. They appear to be inside some sort of drawing room. The walls have been carved out of the soil and sand, then disguised with traditional paper walls and screens like one would find in a home. Fine but faded woven straw mats make up the floor, and in the center of the room are three cushions, and a small table meant for making tea upon. A chandelier holding candles is above Beth's head, if she looks closer she realizes that it's made of the bones of snakes of various sizes, some of the larger ones even holding the candles in their craned jaws. Several small wooden cabinets are off to the sides and in the back is a beaded curtain that lead off who knows where. A small, skeletal, almost see-through hand pushes back the beads and Madam Jusan enters. She is wearing a black and purple kimono, faded and frizzed with age, it's tied in the back with a ragged bow that droops sadly as she moves. She's so thin you'd almost think the Kimono itself was alive. Her black and grey hair is tied back in a traditional geisha style, her face obscured by a matching black and purple fan, only her dark and sunken eyes can truly be seen. Her voice is a ragged whisper as she speaks through the fan in Japanese Well, look what the Tiger dragged in. Welcome, guests.